In Part 3 of this series I would like to discuss my workflow when composing electroacoustic music using Logic Pro X. When I work in Logic, my compositional technique changes quite dramatically. In a way my technique is similar to putting together a collage. Instead of MIDI regions spanning the entire work, I keep individual phrases or seeds in their own smaller regions.
Read more...A big part of evolving my own compositional process is letting it actually evolve and not forcing the issue. So I have discovered that seeing the page is also a useful and somewhat essential part of the process for me. In fact I can confirm that my brain seems to consider totally different things between composing in Logic Pro without any notation and composing in Sibelius notation software.
Read more...I thought it would be fun to write about my ever-evolving process of composing in a series of posts. If anything I thought it might get me into the habit of posting more here, breathing life into my personal website. Although some composers have a rigid process for conceiving and composing musical works, my personal process has been quite different over the years, and is often adapted to what kind of thing I am composing and how quickly it needs to be done.
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