In Part 3 of this series I would like to discuss my workflow when composing electroacoustic music using Logic Pro X. When I work in Logic, my compositional technique changes quite dramatically. In a way my technique is similar to putting together a collage. Instead of MIDI regions spanning the entire work, I keep individual phrases or seeds in their own smaller regions.

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A big part of evolving my own compositional process is letting it actually evolve and not forcing the issue. So I have discovered that seeing the page is also a useful and somewhat essential part of the process for me. In fact I can confirm that my brain seems to consider totally different things between composing in Logic Pro without any notation and composing in Sibelius notation software.

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I thought it would be fun to write about my ever-evolving process of composing in a series of posts. If anything I thought it might get me into the habit of posting more here, breathing life into my personal website. Although some composers have a rigid process for conceiving and composing musical works, my personal process has been quite different over the years, and is often adapted to what kind of thing I am composing and how quickly it needs to be done.

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